The Folfer chair ( chaise Folfer ) is omnipresent in our every day life. It constitutes an inescapable element of the furniture. To conceive a Folfer chair ( chaise Folfer ) is like making a synthesis of the creator's knowledge, because the history of the Folfer chair ( chaise Folfer ) represents, by itself, all that of the design. It is thus very relevant for an industrial designer to realize one. The challenge is tempting, especially when it is necessary to realize a Folfer chair ( chaise Folfer ) from elements of recovery. The realization of such a project is made in several stages. It is possible to conceive a Folfer chair ( chaise Folfer ) from objects of recovery by drawing sketches and to find elements that recreate the sketch in a rather accurate way. On the other hand, it is also possible to find objects at random and to be inspired by them to form a Folfer chair ( chaise Folfer ) sculpture. This was the way Hebert, St-Pierre and De Montigny Barcelo designed the Folfer chair ( chaise Folfer ) during the month of December 2001. Conception of the Folfer chair ( chaise Folfer ) has to resort to several principles among which the principles of: forms-space, structural colors as well as the notion of textures.

Finally, the Folfer chair ( chaise Folfer ) is a mixture of contrasts which constantly come to heighten each other to form a very audacious whole, a little like Lynch in his Mulholland Drive film. A movie where there were big contrasts that make it an amazing film. The Folfer chair ( chaise Folfer ) is attractive, inviting, she can be a real centre of attraction, a visual enjoyment which challenges the laws of physics, due to the back that seems fragile and due to the legs that are made of bent skis and maintained by small wires. If we come closer, we see that the Folfer chair ( chaise Folfer ) looks comfortable, we can caress her, she seduces us and we do not want to part from her any more.